Italian Fascism is based upon Italian nationalism and imperialism, and in particular seeks to complete what it considers as the incomplete project of the unification of Italy by incorporating Italia Irredenta (unredeemed Italy) into the state of Italy.[138][139] To the east of Italy, the Fascists claimed that Dalmatia was a land of Italian culture whose Italians, including those of Italianized South Slavic descent, had been driven out of Dalmatia and into exile in Italy, and supported the return of Italians of Dalmatian heritage.[140] Mussolini identified Dalmatia as having strong Italian cultural roots for centuries, similarly to Istria, via the Roman Empire and the Republic of Venice.[141] To the south of Italy, the Fascists claimed Malta, which belonged to the United Kingdom, and Corfu, which instead belonged to Greece; to the north claimed Italian Switzerland, while to the west claimed Corsica, Nice, and Savoy, which belonged to France.[142][143] The Fascist regime produced literature on Corsica that presented evidence of the island's italianità.[144] The Fascist regime produced literature on Nice that justified that Nice was an Italian land based on historic, ethnic, and linguistic grounds.[144]
As the country grew wealthier in the 1950s, a form of neorealism known as pink neorealism succeeded, and starting from the 1950s through the Commedia all'italiana genre, and other film genres, such as sword-and-sandal followed as Spaghetti Westerns, were popular in the 1960s and 1970s.[534] Actresses such as Sophia Loren, Giulietta Masina and Gina Lollobrigida achieved international stardom during this period. Erotic Italian thrillers, or giallos, produced by directors such as Mario Bava and Dario Argento in the 1970s, also influenced the horror genre worldwide.[535] In recent years, the Italian scene has received only occasional international attention, with movies like Cinema Paradiso written and directed by Giuseppe Tornatore, Mediterraneo directed by Gabriele Salvatores, Life Is Beautiful directed by Roberto Benigni, Il Postino: The Postman with Massimo Troisi and The Great Beauty directed by Paolo Sorrentino.[536]
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